Parallel to a progression in church art
From Catholic representation
To theosophical abstraction,
We find a degeneration of state art
From Romantic representation
To Expressionist abstraction,
Preparatory to the more extreme
Marxist purism of materialist light art.
And yet, just as the State began by using
Church means, viz. painting, in a secular context,
So one can perceive the beginnings
Of Centrist art via the use of state means, viz. light art,
In a religious context of non-material pure abstraction -
A distinction between Expressionism and Impressionism.