With a title that is obviously a pun on 'Agnus Dei', this eighteenth example of John O'Loughlin's cyclic
philosophy extends beyond previous writings in its understanding of certain moral dichotomies, which it analyzes from a standpoint
firmly centred in metaphysical sensibility. It is also fairly bold in its treatment of race, not least within a traditional
European context, and investigates the distinction between immanence and transcendence with a degree of subtlety that is rare
in contemporary philosophy. Coupled to it below is a project entitled OPUS D'OEUVRE which, if not the best example of John
O'Loughlin's work, is certainly consistent with the above, as it further develops certain key findings within a context that
is always sufficiently comprehensive to enable conclusive results to emerge.
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